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Scottish Renaissance painted ceilings : ウィキペディア英語版 | Scottish Renaissance painted ceilings
Scottish Renaissance painted ceilings are decorated ceilings in Scottish houses and castles built between 1540 and 1640. This is a distinctive national style, though there is common ground with similar work elsewhere, especially in France, Spain and Scandinavia.〔See Palau de l'Almirall Valencia, Spain and later examples at Saint Cornely Church, Carnac Brittany and Peter und Paul Kirche Köngen.〕 An example in England, at Wickham, Hampshire, was recorded in 1974.〔Chinnery, Victor, ''Oak Furniture'', Antique Collector's Club (1979), p.36, pictured: Lewis, Elizabeth, 'A jettied house at Wickham', in ''Proceedings of the Hampshire Field Club'', no.36 (1979/1980), pp.203-215: associated wall-painting is exposed in Wickham Wine Bar, the ceiling is now concealed, SMR no.MWC4723.〕 Most surviving examples are painted simply on the boards and joists forming the floor of the room above. Rooms or galleries in attic storeys were fully lined with thin pine boarding and painted. The fashion was superseded by decorative plasterwork and sometimes the painted ceilings were broken up to form lathing for the new plaster. ==Paint and painters==
The paint used employed protein size with chalk and pigments, including natural ochres, vermilion, and orpiment often mixed with indigo to form vibrant greens.〔Jenkins, Moses, ed., ''Building Scotland'', John Donald (2010), 92, 96.〕 The pine timber was imported from Norway. The names of many painters have been found in contemporary records, but as yet no painter of any particular surviving ceiling has been identified through archival research. However, it is recorded that in 1554, Edinburgh painters led by Walter Binning assaulted an ousider, David Warkman, who had been painting a ceiling.〔''Extracts from the records of the Burgh of Edinburgh 1528 - 1557'', 194-5.〕 The Warkman family were settled at Burntisland in Fife the 1590s.〔Apted, 'Mary Somerville's House', in ''PSAS'', (1974), p.228〕 The Skelmorlie Aisle at Largs was signed by John Stalker, and initials "IM" painted at Delgatie Castle may be those of the painter John Mellin or Melville.〔Murray, Ailsa, ''eConservation Magazine'', 10, (2009)〕 It appears that only the wealthiest of the merchant classes and aristocrats could afford this decoration, though the picture is unbalanced as more modest interiors do not survive.
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